The Re-establishment of Cynicism and a glimpse into the future.

2011 is starting off with a bit of a midrange feel to it (high being the best possible feel you can get and low being the worst). This feeling is slowly decreasing as the days go by it seems. It could be post new years jitters, if there is such a thing, or perhaps it's a sign that 2011 will in fact be one of the lowest years to come around since 2004 (which was possibly the worst year in my life personally, I cannot account for anyone else's experience during that year). I try to remain hopeful in the face of it all because even with the midrange feel it isn't all bad. My schedule isn't so hectic anymore and I'm starting to get back to writing more often.
However the quality of the year is clearly diminishing in the realm of entertainment, mostly films. How good can a year be when it starts off with Season of The Witch starring Nicholas Cage? Sure January has carried the stigma of being the place where the crooked cousins of movies are let out of the pen to play but really now? And then there's the whole awards fiasco going on that's been making my head spin faster and more infinite than Leonardo DiCaprio's spinning top in Inception. If the Inception related joke didn't make it clear to any of you, I pretty much think Inception was the best movie to come out in decades and yet every awards show imaginable has yet to acknowlege how right I am in believing that.
This was compounded when Twilight: "Do We Really Care Which One Anymore?" beat Inception at the people's choice awards for best film (I believe). While I can honestly say I wasn't really surprised, I was hopeful that people weren't this mind meltingly stupid. Turns out I was wrong, and my faith in humanity has forever been pulverized into a fine pinkish paste and buried in a shallow grave, the tombstone of which you can now see on my twitter page...
Is it a gross overeaction to such a trivial awards ceremony? Possibly, but think about it, the masses voted Twilight over Inception. It's like the world is inhabited by clones of my brother's girlfriend, and one was bad enough...
I seriously think that if I were Doctor Who right now, I'd abandon earth and start protecting Raxacoricofallapatorius from now on.
This was just phase one of the process that would inevitably re-establish my once thought cured cynicism. The next came in the form of the Golden Globes where not even Hans Zimmer's fantastic score for Inception could beat the tunes of The Social Network??? I never saw the film, nor do I ever plan to, history films never were my thing (and come on this movie will be the movie they show on aged blu-ray powered projectors in dusty history classes to show the history of how the internet changed the way we experience the world, we all know it...) but I seriously doubt The Social Network's main theme wasn't a clever play on a popular French song, nor could it cause your teeth to resonate for hours after watching the movie.
Why is it Inception is being left out in the cold? Is it because everyone still doesn't get it? Are people that thick? Do the masses really think Battleship: The Movie is a good idea? If so I'm renouncing my own humanity!
I never thought I'd be agreeing with the king of egos himself, James "I'm The King of The World, and your wallets!" Cameron, films are really reaching a new low. If Hollywood (or as my favorite good movie lover The Movie Preview Critic calls it: "Story Corp.") is so unimaginative that they have to begin making Uno: The Movie to make a quick buck then it's obvious that movies in general are moving into a very dark and grim future.
It's bad enough I have to pay twenty-three bucks to watch The Green Hornet in 3D with a friend (I would've gone with 2D but time constraints forced us to go see it in 3D.) but when the audience in the theater cheers when they see Transormers: The Dark Of My Ass it's clear that I am part of a group that is slowly dying out as more and more horrible movies get made and endorsed by the brain-dead masses who pay to see it in the most expensive way possible.
We're even remaking Spiderman now, wasn't it only a couple years ago that Spiderman 3 came out? Sure the movie practically killed the franchise but they're not even waiting until after the funeral to dig up the corpse and start raping it for what it has left. Yes, I painted that picture in your mind, now sit there and think about it. Imagine Spiderman's corpse being assaulted by an overpaid moron who wouldn't know a good story if it tied him to a rock and bashed his head in... now you just try and tell me that what is going on there is perfectly fine!

However, it's not all bad news. I do, in fact, have a fantastic story to tell you all about one movie that has so far surprised me. The movie is called Real Steel starring Hugh Jackman and the story is this:

My friend and I were asking ourselves the day after New Years a question any good movie lover will ask themselves: "Is there anything good coming this year?" It's a question we find rarely has a good answer anymore. In fact, when we looked up the list of films it looks like 2011 will end up being known as one of the worst years for movies ever. Remakes, chick-flicks, remakes, bad movie, Nicholas Cage movie, Twilight related (or influenced) movie, the list smelt more of dookie than a sewer.


Then we find a movie titled "Real Steel."

We click on the link to learn more about it. My friend reads me the synopsis. Here is my recollection of the scene:
FRIEND: Real Steel, starring Hugh Jackman as an out-of-luck boxer trying to make a comback...
ME: Really? Come on. That sounds like every other boxer/wrestler movie that has ever come out...
FRIEND: He steps into the ring...
ME: Rocky, The Fighter, The Wrestler... HEARD IT!
FRIEND: and finds himself staring down a twenty foot tall robot!
ME: WTF?!?!?! EPIC AWESOME!!!!

This moment reminded me of why I like movies. The spins on a pre-set genre that can get you geeked up to go see a film, the surprise of finding something that surprises you. This is a movie I will be keeping my eye on as more news comes out, because so far, it's got me hooked...


2011 hasn't started out as strong as I hoped, and it looks like it isn't getting any better any time soon. I doubt it will get better, but we can only see. For now, expect a review for The Green Hornet pretty soon.

"The dream can be real" a contemplative look at the Inception game

Ever since walking out of the theater after watching Christopher Nolan's Inception I'm pretty sure most who also saw the film felt the same way I did: wanting more.
Not that the movie felt incomplete or anything, I just wanted to see more. Of course, you might remember that a few months ago I posted up a list of possible sequels with Inception in it. I had said that a sequel would be the worst thing to happen, and I feel I'm right. How can you one-up such an awesome film? My fear is that if someone attempted to make a sequel to Inception it would collapse like a dream without a dreamer. The only way I could happily accept a sequel is if Nolan himself was the one who instigated it. But in either case I feel that a sequel is out of the question and should remain just that: a long forgotten dream.
However, that hasn't stopped rumors about a sequel or some sort of spin off showing up somewhere down the line. Yet one rumor does seem to be incepted by Nolan himself: the possibility of a video-game spin off.

On two occasions Nolan has stated that he has envisioned the world of Inception to hold more than just a fantastic story about a man trying to get back to his family. Of course, this should be setting off numerous alarms. The fact that almost no game adaptation of a film has ever gone over well for numerous reasons either due to the game being a cheap cash in as the film is being released or because it's a popular film.
Yet, I feel hopeful, somehow. Perhaps it's because this is Christopher Nolan's baby we're talking about here. This is Inception, one of the most original, captivating, and amazing movies to have come out in a long time. Or perhaps Nolan has managed to do a little inception of his own, planting the idea of a hopeful future for film-to-game adaptations.
However, seeing as it looks like an Inception game is a long ways away. All we can do is speculate on what this game could be like. Which brings us to the main event: what do you hope for or would like to see in an Inception game? Here are a list of things I feel should be included to make this game work.

No. 1: The Story
This shouldn't be a frame by frame recreation of the movie. This has been hinted at already by Nolan who expressed interest in expanding the world in which the film takes place in. I do have to admit, it is quite an interesting world from what we saw in the film. A world where it is possible to invade the minds of people and steal their secrets, even change who they are by planting an idea into their subconscious. In the film there was little background given as to the genesis of this technology, stating: "the military came up with dream sharing to train soldiers." Right there we have a potential myriad of story possibilities. Perhaps a prequel game set in the early cold-war era where such espionage techniques would be very valuable. Instead of stealing business secrets it could be military secrets, maybe launch codes? Of course this is just one possibility.
Another could be focusing on how our government utilizes extractors in present day. I say this because for all intents and purposes we have already seen corporate espionage in the film, we can expand it to how the skill of extraction affects other areas of our system whether it be corporations or governments. If Nolan does want to explore this world he has created, then this is a logical step.
In either case, whether the story is about cold-war extractors or a dream invading 007, it has to have some very great characters to fill the world with.

No. 2: Characters
Again, this could end with many decisions, either by bringing back the old characters from the film and having them go through another adventure or create new ones from scratch or something in between. I for one would like to see some new characters, allowing for more creative versatility and also adding a little uncertainty to the story. The main character should be someone we haven't seen in the film before, as this is the character players will take control. As to how much customization will come with this player character is up to speculation. While it'd be fun to be able to fully create your character from scratch ala Mass Effect, it doesn't mean we can't just play as a character already shaped to fit whatever narrative the developers come up with. But one thing I believe has to happen is how we gather team members.
Like in Mass Effect 2, where you had to gather your team up before going on the big mission into the Omega 4 Relay, we should be able to gather our team in a similar fashion. Sure this sounds unoriginal but I feel it would provide for more gameplay and allow us to become familiar with the people we are going to be working with. These characters should be fully formed and have their own personalities, and not get simply labeled "The Chemist" or "The Forger" and have them just be a no-name NPC who dies early in the first level. There isn't anything wrong with basing things off of what you already know, and everyone knows that this system worked for Bioware in ME 2 so why the heck not???

No. 3: Gameplay
Should this be third or first person? A shooter or a mind bending puzzler? Obviously the film was a fare share of both action and puzzler, so why not start from there? Maybe a third person shooter like Gears of War or Dead Space? Once again Mass Effect looks like a good example. Yet whether we get something Gears of War or Call of Duty the gameplay should be innovative.
The movie his a treasure trove of possible gameplay innovations. First off, look at the very process of extraction: by creating the world of the dream extractors can navigate the subconscious of their target and extract secrets like a thief breaking into a safe. From that idea alone I see the possibility of a very fun and innovative form of gameplay: let the players make the levels.
From a story mode standpoint this is something that would allow a great form of interactivity that could define what an Inception game is capable of. By allowing players to create the levels they play in the story missions numerous possibilities can come about: Perhaps if the game takes a more open approach with the possibility to take numerous contracts to gain experience and money or whatnot, the complexity of the dream level could affect the outcome. Like in the film, the more complex the mazes the better chance the extractors can evade the subconscious projections. In the game if a dream level isn't complex enough it could result in the player and his team to fail the mission. But if the player is creative enough and makes a labyrinthine level the better chances the player and his team has of surviving long enough to extract the info they need.
And all of these minor contracts can be used as practice for the ultimate job: inception, or perhaps extracting a secret from an ex-extractor.
Then there is the possibility of multiplayer (a big favorite of gamers). You can create levels and see if online players can navigate them or become lost as they either try to stop other players from stealing their secret or try to steal it.
Creating maps isn't anything new. You could make your own skate park in the early Tony Hawk game from decades back, and Far Cry and Halo have tried their hands at this, but perhaps the Inception game can come up with fun gameplay ideas such as utilizing paradoxical architecture to mix up the action. You could even gather a group of your friends and form an extraction team for online challenges in the form of contracts that could unlock fun and interesting content like in an MMORPG.

Of course building mazes to confuse NPC bots and your online buddies is all well and good, but what about other forms of gameplay? How would combat become a unique experience in an Inception game? What about other action elements? As for other gameplay forms, what about sneaking? Not all gamers like taking on armies and find a more "Sam Fischer" approach to be more to their liking? How about using the skills of a Forger to get in close to your enemies? By changing your appearance to confuse your enemies either offline or online could be an interesting experience. In fact Assassin's Creed Brotherhood has already done this in their online gameplay.
Action in the film was very interesting because the physics would sometimes become insane, remember the awesome rotating hallway scene? Or the zero gravity fight? I already mentioned paradoxical architecture like the penrose steps. Imagine having to fight or shoot your way through a rotating building, or doing something like Dead Space and floating about in zero gravity as you fight enemies. Yet it doesn't have to be all about combat, you could have some very crazy puzzles where you actually have to mess with the physics of the dream in order to accomplish your goals, like Portal or the somewhat mediocre game Prey where gravity shifted all the time.

Stealth could be a very important aspect to the game. As throughout the film Cobb and the others struggle to maintain a low profile so their target's subconscious doesn't try to kill them. Perhaps the less you approach things from a "shoot first ask questions later" approach and take a more stealthy approach you can extract information much more easily. Then there is the possible threat that all of your mucking about in your target's mind brings him that much closer to realizing he's dreaming. Like the more you bend the physics of the dream world the quicker the target comes to realizing he's in a dream. But this doesn't mean stealth should be a primary focus when it should be seen as more of a possible route that can be taken. Remember, perhaps making your target realize he's in a dream can be your advantage ala "Mr. Charles."

The possibilities are about as limitless as the imagination and hopefully the developers of any Inception game utilize theirs to the fullest.

So what do you think? What kind of game do you envision an Inception game being like? What kind of gameplay elements would you like to see? After all, these are only a few of the ones I can think of at the moment...

"The Power Of An Idea" a review of Christopher Nolan's "Inception"

Dreams are very illusive and confusing for me. I rarely have dreams, and whenever I do it's always something warped and wrong (never helpful or inspirational like James Cameron's dreams or his mother's...). In fact, if dreams could be interpreted, most would interpret my dreams as my subconscious hates me. There are only a handful of dreams I actually remember. The first when I was about eight years old where I dreamt that Spider-Man (dressed in yellow armor that made him look like a robot ninja), the mad hatter and his rabbit friend (like in the Disney cartoon?), and a guy resembling Solid Snake fight off a Predator. The Mad Hatter and his friend freeze to death, Solid Snake and Spider-Man fight the Predator, and I wake up very confused.

The second dream holds stronger evidence that my subconscious hates me. The second dream was about an orgy in a pool, and no one would go within fifty feet of me... (...I've gotta go cry for a minute...)

The Third dream is the most recent (in fact the night after I saw Inception). Where I dreamt that me and some buddies were at some pool/beach and a shark (which I think I conjured into existence) ate a kid. And I haven't seen shark week.

Never-the-less, these are the only truly memorable dreams I've ever had. However, my near complete lack of dreams has sparked an interest in "dream planting" and "lucid dreaming." I figure if my subconscious couldn't give me a decent dream I might as well make one myself (it is the only way you can get a job done right, right?). So when I learned about Inception's premise I was quite intrigued.

Inception is one of the most thought provoking films I've ever seen. Sure, Avatar made me think... about what James Cameron was smoking when he came up and filmed the movie! But Inception kept me engaged with a good story with entertaining characters and a brilliant cast to portray said characters. Christopher Nolan once again proves he can make a totally awesome movie and it doesn't have to have 3-D or a target demographic to provide it with life. Instead he uses the most powerful and virulent thing out there... an idea... and a great one at that.
WARNING SPOILERS AHEAD!



Apparently, Nolan has been working on this idea since he was a teenager, and the final result shows the hard work and though put into every scene. The idea seems simple. A heist film but instead of a bank vault full of cash, it's the human mind and ideas. Leonardo DiCaprio stars as Dom Cobb, an "extractor" who goes into people's minds and literally steals secret information that would otherwise be unreachable. The movie barely touches on the science behind the sharing of dreams, going for a simple explanation that "the military was working on it back in the Cold War" and that "now it's only practical use is theft of information." I would've liked to see a more solid explanation as to how these people go into other people's dreams, but by the time the basic idea that these guys can go into dreams is established in the beginning an explanation isn't actually needed. You get it right away, these dudes do it and there's no point fussing over the technobable.
However, "extraction" (the theft of information and ideas stored in the mind) isn't a one man job. Leo isn't alone. He works with a team who all have their part. Joseph Gordon-Levitt (Tommy from 3rd Rock From The Sun) plays Arthur, Leo's partner and point-man who gathers information for "architects" to use in the creation of the dream world. Architects make the dream world, they build it, every building, every carpet, that the victims fill their subconscious with. Juno's Ellen Page plays the newly recruited architect to the team, who begins to delve into Leo's dark past.
You see there's this woman that seems to follow Leo everywhere he goes in the dream world. Her name is Mal (Public Enemies' Marion Cotillard), and she's always willing to throw a monkey wrench into the team's plans. The twist here is that she's Leo's dead wife. She's a subconscious representation of guilt that affects their missions. However, Leo refuses to stay out of the missions even though she could ruin everything, which I find very silly. Sure he's the go-to guy for this line of work, but when an evil manifestation of your guilt in the form of your wife intends on potentially ruining a very dangerous mission I'd honestly stay out no matter how badly I want to see my kids. Let the mentally balanced people do the dangerous work, you know?
Anyways the story is about these characters doing something that's very different from their regular line of work. It's called "inception." Instead of stealing an idea, they need to plant an idea. Their client is a rich businessman who wants the son of a rival to dissolve the rival company, the problem is that inception hasn't been successfully done before (except Leo claims to have done it before, more on that later). The idea can't be planted unless the mind thinks it came from its own inspiration, but that's when things start to get tricky.

Leo's team is tasked with planting the idea, and in return the boss will ensure Leo can go back to America to be with his family again. With his very freedom on the line, Leo and co. board the plane that the son is flying on in order to dose him up with powerful sedatives and plant the idea in ten hours. But there's a catch... well a lot of catches actually.
Due to the use of powerful sedatives, death in the dream (which normally wakes people up) results in being sent into "limbo" where the mind can experience years. You see dreams have a longer time than in reality (basically sixty seconds real time is an hour in dream time). And the fact that they are going into three different "levels" of dreaming (a dream within a dream within a dream basically) they could experience a year in just a few minutes.
Then there's the fact that their employer (the only dude who can wipe Leo's criminal record clean) wants to make sure they succeed and goes in with him, which means he could be lost in limbo forever.
Then there's Leo's inner demons, Mal will try to foil their plans and Leo can't stop her. She friggin conjures a freight train in the middle of a busy intersection for f*cks sake! You see, Leo managed to perform a successful inception, on his wife, and it turned her in a suicidal crazy she-bitch who couldn't distinguish dreams from reality. Leo's guilty because of this but knows it's possible.
There's also a time limit. In order to wake from all three dreams timed "kicks" have been set up so that everyone wakes from the dream.
Then there's the fact that the idea has to stick. The son (Cillian Murphy) has to basically convince himself that dissolving his father's empire was his idea.
Of course, like in any film, everything doesn't go according to plan, but they manage to get everything in order before time is up.

This movie is excellent. I loved everything about it, even Ellen Page who I never liked until now. It was about the story, not about the technology or the cgi (like SOME films). I never felt lost in the whole dream thing, until the end. The end will have you spinning like Leo's totem. All in all, I loved this movie, and I really really really want to go see it in IMAX... maybe it's time I took a road trip to Portland again...

I give Inception five plot twists out of five. (I think there are more plot twists in this movie, if you count the whole dream within a dream thing at the beginning a plot twist, than in an M. Night Shyamalan film that doesn't suck.)